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THE RIVER BRIDE  – AUDITION NOTICE
*Versión en español disponible a continuación.

By Marisela Treviño Orta
Director: Alex Rodriguez

Sides: (Now LIVE): Audition Sides

Audition Dates:
May 12th, 2025, 6pm-10pm
May 13th, 2025, 6pm-10pm

Callbacks *By Invitation Only
May 17th, 2025, 2pm-6pm

Video Submissions:
Submissions will be accepted for this production – the deadline to submit is May 13th, 2025. Please submit a one-minute contemporary monologue. If you’d like to submit material from the play, please email arodriguez@omahaplayhouse.com to request sides.

Production Dates: 
August 15th – September 14th, 2025

*Performances: Thursdays/Fridays/Saturdays at 7:30pm, Sundays at 2:00pm

Rehearsals: 
July 6th – August 14th, 2025

*This production will primarily rehearsal Sunday to Thursday, 6pm-10pm.

Artist Stipend: 
$725

Preparation: 
Actors will read sides/monologues from the script. We will share those two weeks out from your audition date. 

Summary:
Once upon a time, in a fishing village along the Amazon, there lived two sisters struggling to find their “happily ever after.” Helena is dreading her sister Belmira’s wedding. The groom, Duarte, should have been hers. And she knows that her sister only wants to escape their sleepy Brazilian town for an exciting new life in the city. But three days before the wedding, fishermen pull a mysterious stranger out of the river – a man with no past who offers both sisters an alluring, possibly dangerous future. Brazilian folklore and lyric storytelling blend into a heartrending tale of true love, regret, transformation, and the struggle to stay true to your family while staying true to yourself.

Trailer: The River Bride (Original Production)

Setting:
Once upon a time in a small Brazilian village along the Amazon River.

The River Bride – Casting Notes (From Playwright):
Ages of characters should not be strictly adhered to when casting roles. Feel free to cast older actors who embody the sense of youth needed for each role.

Available Roles:
HELENA – 18, Latina, smart and a beauty in her own right, though not as outgoing as her sister Belmira.

BELMIRA – 16, Latina, beautiful, frivolous and a bit vain, but charming and adored by the entire village. She is the bride-to-be and has an appetite for adventure.

MOISES – 20-25: Latino, charming, handsome and mysterious. Earnest and sympathetic, he’s been searching for love for a long time. Wears a bandage over his forehead, which he never removes. Dressed like a man of property. 

DUARTE – 20-25, Latino, a good man from a respected family. He is the groom-to-be. 

SR. COSTA – Late 40s. Latino, Belmira and Helena’s father. A fisherman. 

SRA. COSTA – Late 40s. Latina, Belmira and Helena’s mother.

About the Playwright:
Marisela Treviño Orta’s plays include Heart Shaped Nebula, Somewhere, Wolf at the Door and The River Bride, which premiered in 2016 at the Oregon Shakespeare Festival and has had subsequent productions at Arizona Theatre Company, Stages Repertory Theatre, and an upcoming 2021 production at American Players Theatre. Her work has been presented by ACT Young Conservatory, the Bay Area Playwrights Festival, Brava Theater, Camino Real Productions, Halcyon Theatre, Kitchen Dog Theater, Marin Theatre Company, Milagro, Nashville Children’s Theatre Company, New Jersey Repertory Company, Shotgun Players, Su Teatro and Those Women Productions. Recently her Audible-commissioned audio play Nightfall launched on their platform.

Marisela is an alum of the Playwrights Foundation Resident Playwright Initiative (2008-2011), Goodman Theatre Playwrights Unit (2018-2019), and Playwrights’ Center Core Writer program (2018-2021). Currently she is a member of the Latino Theatre Company’s Circle of Imaginistas who are under commission to create new work. She is the recipient of the 2006 Chicano/Latino Literary Award in Drama, 2009 PEN Center USA Literary Award in Drama, 2013 National Latino Playwriting Award, and 2019 Alliance Kendeda National Graduate Playwriting Award Finalist. Marisela has an MFA in Poetry from the University of San Francisco and an MFA in Playwriting from the Iowa Playwrights Workshop.

To sign-up for an audition, please complete the audition form below – don’t hesitate to reach out to arodriguez@omahaplayhouse.com if you have any questions.

Audition Form

 

THE RIVER BRIDE – AVISO DE AUDICIÓN

Por Marisela Treviño Orta
Director: Alex Rodríguez


Fechas de las audiciones:
12 de mayo de 2025, 6pm-10pm
13 de mayo de 2025, 6pm-10pm

Audiciones finales: *Solo por invitación
17 de mayo de 2025, 2pm-6pm

Envíos de videos:
Se aceptarán audiciones en video para esta producción. La fecha límite para enviar videos es el 13 de mayo de 2025. Por favor, envíe un monólogo contemporáneo de un minuto. Si desea enviar material de la obra, envíe un correo electrónico a arodriguez@omahaplayhouse.com  para solicitar el quion.

Fechas de producción:
15 de agosto – 14 de septiembre de 2025
*Funciones: Jueves, viernes y sábados a las 7:30pm, domingos a las 2pm

Ensayos:
6 de julio – 14 de agosto de 2025
*Esta producción se ensayará principalmente de domingo a jueves, de 6pm-10pm.

Estipendio del artista: $725

Preparación:
Los actores leerán monólogos y escenes del guion. Los compartiremos dos semanas antes de la fecha de la audición.

Sobre la obra:
Había una vez, en un pueblo pesquero a orillas del Amazonas, dos hermanas que luchaban por encontrar su “felicidad para siempre”. Helena teme la boda de su hermana Belmira. El novio, Duarte, debería haber sido el suyo. Y sabe que su hermana solo quiere escapar de su tranquilo pueblo brasileño para empezar una nueva y emocionante vida en la ciudad. Pero tres días antes de la boda, unos pescadores rescatan del río a un misterioso desconocido: un hombre sin pasado que les ofrece a ambas hermanas un futuro atractivo y posiblemente peligroso. El folclore brasileño y la poesía lírica se funden en una desgarradora historia de amor verdadero, arrepentimiento, transformación y la lucha por mantenerse fiel a la familia y a sí misma.

Ubicacion: 
Érase una vez un pequeño pueblo brasileño a orillas del río Amazonas.

The River Bride – Notas de audiciones (de la escritora):
La edad de los personajes no debe limitarse estrictamente al elegir los papeles. Siéntete libre de elegir actores mayores que representen la juventud necesaria para cada papel.

Personajes Disponibles:
HELENA – 18 años, latina, inteligente y una belleza por derecho propio, aunque no tan extrovertida como su hermana Belmira.

BELMIRA – 16, Latina, hermosa, frívola y un poco vanidosa, pero encantadora y adorada por todo el pueblo. Es la futura novia y tiene ganas de aventura.

MOISÉS – 20-25: Latino, encantador, guapo y misterioso. Sincero y comprensivo, lleva mucho tiempo buscando el amor. Lleva una venda en la frente, que nunca se quita. Viste como un hombre con propiedades.

DUARTE – 20-25, Latino, un buen hombre de familia respetable. Es el futuro novio.

SR. COSTA – Cerca de los 40. Latino, padre de Belmira y Helena. Pescador.

SRA. COSTA – Cerca de los 40. Latina, madre de Belmira y Helena.

Sobre la escritora:
Las obras de Marisela Treviño Orta incluyen Heart Shaped Nebula, Somewhere, Wolf at the Door y The River Bride, que se estrenó en 2016 en el Festival de Shakespeare de Oregón y ha tenido producciones posteriores en Arizona Theatre Company, Stages Repertory Theatre y una próxima producción en 2021 en American Players Theatre. Su obra ha sido presentada por el Conservatorio Juvenil del ACT, el Festival de Dramaturgos del Área de la Bahía, Brava Theater, Camino Real Productions, Halcyon Theatre, Kitchen Dog Theater, Marin Theatre Company, Milagro, Nashville Children’s Theatre Company, New Jersey Repertory Company, Shotgun Players, Su Teatro y Those Women Productions. Recientemente, su obra de audio, Nightfall, comisionada por Audible, se lanzó en su plataforma.

Marisela es exalumna de la Iniciativa de Dramaturgos Residentes de la Fundación Playwrights (2008-2011), de la Unidad de Dramaturgos del Teatro Goodman (2018-2019) y del Programa de Escritores Principales del Centro de Dramaturgos (2018-2021). Actualmente, forma parte del Círculo de Imaginistas de la Compañía de Teatro Latino, donde se le encarga la creación de nuevas obras. Recibió el Premio Literario Chicano/Latino en Drama en 2006, el Premio Literario en Drama del Centro PEN USA en 2009, el Premio Nacional de Dramaturgia Latina en 2013 y fue finalista del Premio Nacional de Dramaturgia de Posgrado Alliance Kendeda en 2019. Marisela tiene una Maestría en Bellas Artes en Poesía por la Universidad de San Francisco y una Maestría en Bellas Artes en Dramaturgia por el Taller de Dramaturgos de Iowa.

 

Grease- Audition Notice

Directed By: VJ Orduna
Music Director: Jim Boggess
Choreographer: Roxanne Nielsen

General Auditions:
Saturday, May 31st from 12pm-4pm
Sunday, June 1st from 6pm-10pm
Monday, June 2nd from 6pm-10pm

Callbacks (by invitation): 
Saturday, June 7th from 12pm-4pm

Rehearsal Dates:
July 27th– September 10th Sunday-Friday 6:00pm-10:00pm   

Performance Dates:
September 12th– October 12th

Volunteer Actor Stipend:
$825.00

Grease follows the story of Danny Zuko and Sandy Dumbrowski, who fall in love over the summer and then face the challenges of high school life at Rydell High. The musical explores themes of teenage rebellion, peer pressure, and the journey of self-discovery.

 

 Character Breakdown

  • Danny Zuko: The cool, confident leader of the Burger Palace Boys. He has a charming personality and falls for Sandy.
  • Sandy Dumbrowski: The sweet, naive new girl in town who captures Danny’s heart. She undergoes a transformation by the end of the musical.
  • Betty Rizzo: The tough, sarcastic leader of the Pink Ladies. She has a vulnerable side and a complicated relationship with Kenickie.
  • Kenickie: Danny’s best friend and second-in-command of the Burger Palace Boys. He’s tough and has a rebellious streak.
  • Frenchy: A dreamy, good-natured member of the Pink Ladies who aspires to be a beautician.
  • Marty: The sophisticated beauty of the Pink Ladies who tries to act older than she is.
  • Jan: The funny, loud, and awkward member of the Pink Ladies who loves to eat.
  • Doody: The youngest of the Burger Palace Boys, known for his boyish charm and guitar skills.
  • Sonny Latierri: A braggart and wheeler-dealer among the Burger Palace Boys, who thinks he’s a lady-killer.
  • Roger: The clown of the group, always dreaming up schemes and enjoying mischief.
  • Vince Fontaine: A slick, fast-talking disc jockey and veteran greaser.
  • Cha-Cha (Charlene Digregorio): The best dancer at St. Bernadette’s, known for her loud personality.
  • Eugene Florczyk: The class valedictorian, physically awkward and gullible.
  • Johnny Casino: A rock-star greaser student at Rydell High.
  • Miss Lynch: The serious, loud English teacher.
  • Patty Simcox: The typical cheerleader, athletic and sure of herself, but unpopular with the Pink Ladies.
  • Ensemble: Students at Rydell High School.

Auditions will be held at the Omaha Community Playhouse. Enter through the stage door on the West side of the building near the loading dock. Please bring sheet music and prepare 2 contrasting songs (32 bars) from musical theater or in the style of the show. An accompanist will be provided. Be sure to wear comfortable clothing and dance shoes/sneakers as there will also be a movement/dance call.

Video Submissions

We will also be accepting video submissions for those who are unable to attend in person. Select ‘Video’  and paste link to your video in the space provided on the audition form. Deadline for video auditions is Monday, June 2nd at 5:00pm (cst)

OCP is committed to fostering a welcoming diverse and inclusive environment. We are open to non-traditional color-conscious casting and strongly encourage performers of all races, ethnicities, genders, abilities, and body types to audition. 

For audition accommodation requests, please contact Deanna Williams- dwilliams@omahaplayhouse.com

To sign up for an audition appointment click HERE!

 

Through upholding high ethical standards, demonstrating respect for all and consciously working to provide diverse representation, OCP is committed to creating an inclusive and safe environment in which all community members feel a sense of belonging and does not discriminate in casting practices on the basis of an individual’s ethnicity, age, gender, physical and cognitive ability, sexual orientation, gender identity, religion, country of origin or other factors. Omaha Community Playhouse is committed to diverse and inclusive casting.