Saturday, November 8: 11 a.m. – 3 p.m. (Adults: age 19 & over)
Sunday, November 9: 12 – 4 p.m. (Adults: age 19 & over)
Monday, November 10: 6- 10 p.m. (Adults: age 19 & over)
Saturday, November 15: 12:30 – 4:30 p.m. (Callbacks by invitation only)
About Hair
“Hair: The American Tribal Love-Rock Musical”is a groundbreaking rock musical that premiered in 1967. Set in the late 1960s, it follows a group of politically active, bohemian young people—known as the “tribe”—living a countercultural lifestyle in New York City.
At the heart of the story is Claude, a young man torn between his pacifist beliefs and societal pressure to serve in the Vietnam War. His friends, including the free-spirited Berger and passionate Sheila, promote ideals of peace, love, sexual freedom, and resistance to the establishment.
The musical features a loose, non-linear plot and is known for its raw energy, psychedelic visuals, and powerful songs like “Aquarius,” “Let the Sunshine In,” “Good Morning Starshine,” and “Hair.”
Themes include anti-war protest, civil rights, environmentalism, and the generational clash of values, all framed within the spirit of the 1960s counterculture movement. The show was revolutionary for its time, notable for its use of rock music, controversial topics, and even full nudity, helping to redefine musical theatre.
Omaha Community Playhouse is committed to diverse, inclusive casting. We are asking actors, if cast, to be comfortable with the potential of onstage nudity, prior to auditioning.
Audition Information
Audition participants will be asked to prepare 45 seconds to 1 minute of a song and have clearly marked sheet music available for the pianist. The director asks that auditionees not sing from the actual show but select a song that best shows your range from late 1960’s/ mid 70’s classic rock music. Please no 50’s- styled rock ‘n’ roll music. The second part of the audition will consist of learning a piece of choreography. Please bring or come dressed in clothes in which you can move. Reading for roles will take place at the Callback Audition.
Important:
Audition forms, tentative schedule, and video submission forms are available online and will be available at the audition.
Due to the tight rehearsal schedule, ALL conflicts must be presented during your auditions. Conflicts presented after the first rehearsal will not be honored. Please note that excessive conflicts will affect casting decisions.
Rehearsals Begin: January 2, 2026
Production Dates: February 13 – March 22, 2026 (26 performances with possible extension)
Compensation: Actors will receive a stipend of $825
Performances: Thursdays – Saturdays at 7:30 p.m., Sundays at 2 p.m.
Hair will typically hold rehearsals on weekdays starting at 6:30 p.m. and on Sundays beginning at 6 p.m. and will go until 10p.m. There are no Saturday rehearsals. Actors will receive the rehearsal schedule well in advance of the first rehearsal.
Age Requirement: Due to the nature and content of this musical, all actors MUST be 19 at the time of auditions in order to be eligible for this production. There will be no exceptions, and we ask that you not register if you cannot meet that requirement.
Diversity & Gender: All roles in this show are ethnically non-specific. We are seeking a tribe of diverse ethnicities, gender and gender identifications, sexual orientations, and body types for this production. Everyone who meets the minimum age requirement is encouraged to audition. Of note: Many roles can be played by any age or gender or sexual orientation, including gay, bisexual, queer, trans, and non-binary identifying actors. One of the hallmarks of Hair is diversity in all its spicy forms. Please be sure to note whether you would be willing to take a role in which the traditional gender identity or sexual orientation is not the same as yours.
Available Roles – Adult Ensemble
Claude – Tenor (A2-F4) Any ethnicity. In contrast to his traditional upbringing, Claude has wholeheartedly embraced the hippie lifestyle. When Claude receives his draft notice, he is deeply conflicted. He is against the war, and his gentle nature rebels against the idea of killing, His parents put pressure on him to go to war, and his father threatens to stop supporting Claude financially. Claude is a member of the Tribe and lives in the East Village with his best friends Berger and Sheila. He knows that if he goes to war, he will likely die in combat, but cannot figure out a way to escape his fate in time.
Berger – Tenor (A#2/Bb2-B4) Any ethnicity. George Berger is the charismatic, unofficial leader of the Tribe. He is dynamic, a showman, able to rally the Tribe to follow him in whatever pursuit he wants. He is anti-establishment, anti-war, and anti-status quo. He likes to do drugs, protest, make love, and do anything that goes against society’s expectations. Underneath, he has a level of conflict and darkness that constantly threatens to explode out of him at any moment. He flips his mood on a whim, and can be volatile, hurtful, and borderline cruel.
Sheila – Mezzo-Soprano, Alto (G3-C5) Any ethnicity. Sheila Franklin is an NYU student. She is a passionate protester, willing to fight for any cause she believes in. She is a member of the East Village Tribe, and they are her closest friends and chosen family. Sheila is in love with Berger, but Berger is too volatile and temperamental to be a reliable lover. As a result, Sheila is hurt by Berger often. She is vulnerable to his manipulations but not the type to take this behavior lying down. She is strong, smart, and grounded, a voice of reason within the Tribe.
Woof – Tenor, Baritone (D3-G4) Any ethnicity. Neil “Woof” Donovan is a member of the Tribe. They are his friends and chosen family. He is the classic 1960s hippie; he has long hair, believes in free-love, and enjoys doing drugs and getting high — he even grows his own. He’s against the Vietnam War and burns his draft card. Woof is somewhat androgynous, blurring the lines of stereotypical gender and sexual norms. He is masculine and sexy, and also sweet and caring. He identifies as heterosexual but is openly in love with and sexually attracted to Mick Jagger of the Rolling Stones. His laidback, warm nature makes him close to everyone in Tribe.
Hud – Baritone (B2-F4) African American. Hud is a member of the Tribe. They are his friends and chosen family.. He believes in justice, equality, and changing the status quo. He’s against the Vietnam War and burns his draft card. Hud is energetic and dynamic. He is quick to introduce himself and make his voice heard. He is smart, opinionated, and acts as a commentator and voice of reason in the group. Hud is hip, cool, and smooth, a fun and captivating member of the group.
Jeanie – Alto (G3-F4) Any ethnicity. Jeanie is a member of the Tribe. They are her friends and chosen family. She is especially close to Sheila, Crissy, and Dionne. Jeanie is pregnant with her first child and has no relationship with the father. She is in love with Claude, her fellow Tribe-member, and wishes he was the father instead. Jeanie is a caring maternal figure in the Tribe. She is the earthmother type of flower child. She cares deeply about nature and the atmosphere. She is a comforting presence and confidant to her friends.
Dionne – Soprano, Mezzo-Soprano (F4-F5) African American. Dionne is a member of the Tribe. They are her friends and chosen family.. She is especially close to Sheila, Crissy, and Jeanie. Dionne is a joyous participant in the hippie lifestyle. She believes in justice and equality. She is involved in the protests, believes in free-love and free-thinking, and enjoys doing drugs and tripping with her friends in the park. She is vivacious and dynamic, and has a strong presence in the group.
Crissy – Soprano, Mezzo-Soprano, Alto (A3-C5) Any ethnicity. Crissy is the youngest member of the Tribe. They are her friends and chosen family and is in love with a man she met only once, whose name is Frank Mills. Unfortunately, she lost his address and has no way of finding him so she lingers in the park, hoping he’ll find her once more. She can be flighty, but is hopeful, optimistic, and perhaps a little naive; her vulnerability adds to her endearing nature.
The Tribe is a group of hippies living in New York City. They congregate in the East Village, where they hang out, plan protests, do drugs, and live out their free-loving, free-thinking lifestyle. All care about each other as if they were members of a family. Throughout the show, the Tribe plays a number of different featured roles — some when the group is play-acting little scenes from their lives, some when on drug-induced hallucinogenic trips. Roles include: moms, dads, high school principals, Margaret Mead and her husband, Hubert, policemen, “The Supremes” Trio, army sergeant, US historical figures, monks, Catholic nuns and astronauts.
Some members of the ensemble sing featured solos numbers:
Ronny (Baritone/Tenor/Alto/Mezzo, E3-A4) is the featured soloist in “Aquarius,” the opening number of the show. To be played by any gender.
Margaret Mead (Tenor, E3-A4) is a tourist visiting New York City with her husband, Hubert. The couple meets the hippies and asks them questions about their lifestyle. Charmed, Margaret voices her support of the Tribe in “My Conviction.” This role has been played in the past by a male performer in drag, though a female could play Margaret as well.
Video Audition
For those who are unable to attend auditions in person, we are accepting video submissions. Please fill out the audition form and select ‘Video Audition.’ Send a link to your video on any popular video hosting site (YouTube, Vimeo, Etc) to epotter@omahaplayhouse.com. The deadline for video submissions is Sunday, November 9th at 5:00pm.
Accommodations
We recognize that every artist brings unique strengths and needs to the room. If you require specific accommodations to participate fully in the audition process, we’re here to support you. If you’d like to request an accommodation, please feel free to reach out to DeAnna Williams at dwilliams@omahaplayhouse.com.
We’re committed to creating a welcoming and inclusive space for all performers.
For any questions or comments please contact:epotter@omahaplayhouse.com
Through upholding high ethical standards, demonstrating respect for all and consciously working to provide diverse representation, OCP is committed to creating an inclusive and safe environment in which all community members feel a sense of belonging and does not discriminate in casting practices on the basis of an individual’s ethnicity, age, gender, physical and cognitive ability, sexual orientation, gender identity, religion, country of origin or other factors. Omaha Community Playhouse is committed to diverse and inclusive casting.
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