Director’s Notes | Angels In America: Perestroika

Director’s Notes | Angels In America: Perestroika

by Brandon Box-Higdem

I had the daunting opportunity to play the role of Prior Walter, in the UNO production of Angels in America, Part One: Millennium Approaches way back in 2002, and had participated in a staged reading of Part Two the same year. The entire historical theatre piece had a profound impact on my life and how I navigate theatre and my recognition of its importance in this world we live in.

Why this particular story and at this particular time? Perhaps it is the continued universal need for acceptance, for understanding, or a “place at the table” in ALL circumstances. Whether it is considering an LGBTQIA++ script from the last 10 years or through a historical masterpiece retelling from a different time period, the importance remains the same. Theatre offers a two-fold opportunity — both to entertain and to educate, starting conversations and reflecting on the past. It is important to pay attention to the space we currently inhabit and decide whether or not change actually did occur. If not, why did it not and how do we move forward with a stronger focus on important issues of change?

Navigating all things Part Two, the concept of “sanctuary” began to present itself and how that concept is so different for each one of the Perestroika characters, as it is for each of us. Sanctuary: a place where God is present. A place of peace and pause. A place where someone can reconnect with what they consider divine…at least that’s how I define the term.

Hannah’s idea of “sanctuary” is sitting in God’s House, perhaps in silence, allowing the Divine to wash over her. Prior’s idea of “sanctuary” is very different, perhaps in a gay dance club, the pulse of the beat, the escape from the world outside, the safety that the space provides where folks can just be themselves free from the world’s judgment. Roy’s idea of “sanctuary” is even more different from either of those definitions…perhaps it involves a courtroom, in argumentation and debate, or making deals on the phone, attempting to manipulate the art of the deal with a Midas touch.

All definitions are not right or wrong, but what works for each particular character in their given circumstances. Sanctuary is what YOU make it…where do you find your peace and how some may have to struggle to get there.

It is important to note that we see some of Perestroika’s characters get to the finish line and complete their journey at the waters of The Fountain of Bethesda in New York City, thought to have contained healing powers.

So, there you have it…find your Sanctuary of peace…wherever that may be…even if you have to fight like hell to get it.

Brandon Box-Higdem is the Associate Artistic Director of the Omaha Community Playhouse and the Director of Angels In America, Part Two: Perestroika.